me and my nuts are a real def team
Not cool with my nuts when they give wet dreams
last night had to change my sheets about a quarter to three
Didnt feel like turning on the lights but had to pee
every three months shit interrupts my z's
In relational space bust my nut on the count of three
Wish i could enjoy it seems I have a disease
but just bust fast dont mean my dick cough and wheeze
so for the next lady who visit in my wet dream
I apologize for my impending stream of heavy cream
Friday, February 15, 2008
Thursday, December 27, 2007
Sunday, December 16, 2007
Rules to live buy if you are me (Draft, can't keep eyes awake)
1. Don't give a shit about weather predictions. First of all you don't know how weather works. Just because you hear the weather man describe in it some bull shit scientific discourse that he learned in a textbook produced to condition the masses to think a certain way, doesn't mean that his or her description of the nor'easter is apriori. As the weather person, no fuck it weather man, why try to be politically correct and mask the social relations that are taking place, uses a model that was created by a Norwegian dude who had no way of measuring things in a way we might consider scientific. When these readings were taken, well the measure worked, the same goes for Eratosthenes, who was able to surmise the circumference of the work, being part of the same tradition, our scientific measures come to similar results. Ok, so yes our very categories for knowledge, their construction, the way we quantify, conceptualize, and measure, solid supposed unchanging things in (not of) space, comes out of this tradition or epistme. So, anyway this way of seeing the weather is but one way of course. I will not here about the fetishization of technology and what it tells us, because as we practically know, the weatherman is usually wrong, he whines about how complex this thing the weather is. But weather is a process ofcourse that is physical, but also a constructed measure linked to our expectations (are floods or snow storms normal), and ofcourse our mode of production or the economic superstructure. That being, in a system in which the production of surplus labor is paramount, and our function is two be a productive force in this process, weather becomes something important in certain conditions. Freezing rain and black ice, are not only connected to the automobile, which ofcourse are produced out of the coercive laws of capitalist competition, which simultaneously attempt to give profit to the individual capitalist while lowering the value of labor power. The latter gets complex, when we start discussing the size of a commuting area, and a metropolis. The erasure of time by space is rampant, as we worry about the commute home. If the worker cannot home, how will he reproduce himself for the next works day?
2. In general, the older people get the lest trust worthy they get. As, I struggle with one alot, because I feel more fluid with knowledge as I age, I specifically talk about being co-opted by dominant or hegemonic forces. These forces, go ahead shit on me for being abstract, but ideology and general weighs you down after a while. Like at the radical left movement that development during the depression, and how they turned into the conformism of the 50s, and hippies who became professionals or just poor. As the zeitgeist of your generation is rationalized and basically figured out, your identity is used against you and co opted into this particular ideology. It gets to a point that you must change, to keep out of the grasp on capital, which is very difficult. Admittedly, I must elaborate on this one.
3. Never own a home. As I may read this in a future life, and get depressed, I would recommend subtracting yourself from reproducing this aspect of private property, i.e. the spatial reproduction of the social relations that encapsulate capitalism. Why? Whats the difference between renting? Your flexibility is punished, as your identity is reified as home owner. When put in this situation, it is logical to preserve the value of your home. This may mean making unethical choices, such as exploiting Mexican laborers, super intendenants, and other service workers, to maintain your property. Don't forget about the exclusionary functions that are implicit in this institution. How can I blame you if you don't want certain people if your neighborhood. You have no choice! You must protect your investment. If you don't care about it you would have not bought in the first place. Ok so you don't care about these actions, or you don't think that the money you pay in property taxes, or the way you keep your community doesn't affect anyone else... guess what, you probably don't own home. Unless you have reached your mid fifties or later. Down payment on houses, interest rates, and the number of years of a mortgage do vary geographically, by market etc, but the trend since world war 2 has been for low down payments and long term debt financing. This is a good thing right? More people can own homes, well yes in theory, but the only thing guaranteed over the long term (30 years is a long time) is that more people can be fed to the jaws of financial capitalism. For example, in the last 30 years, we may take a look at the people of color who actually have gone on to own the homes they have taken mortgages out. While i do not have this empirical data at hand, and we are assuming certain things when we drop persons of color as a category or identity, i could tell you the sauces rates aren't that great. For example, who do you think was most affecting by the latest mortgage crash. It is important that we don't see this as just cats like Mui trying to get rich off someone elses plights, it is built into the housing industry, the credit system, and financial capitalism as a whole. Also, as you are in the quest to make these mortgage payments, which probably now adays involves your partner working the same amount of hours, you must produce surplus value! What does this mean? You probably won't leave your job because your unemployment check won't pay your mortgage. Also, if you don't live in the right neighborhood (read black), you wont be able to refinance your loan, or only at a very costly price. I'm talkn white slavery, and this ain't some funny necro shit, but you working fifty hours for the rest of your life, rarely getting any fulfillment.
4. to be continued...
2. In general, the older people get the lest trust worthy they get. As, I struggle with one alot, because I feel more fluid with knowledge as I age, I specifically talk about being co-opted by dominant or hegemonic forces. These forces, go ahead shit on me for being abstract, but ideology and general weighs you down after a while. Like at the radical left movement that development during the depression, and how they turned into the conformism of the 50s, and hippies who became professionals or just poor. As the zeitgeist of your generation is rationalized and basically figured out, your identity is used against you and co opted into this particular ideology. It gets to a point that you must change, to keep out of the grasp on capital, which is very difficult. Admittedly, I must elaborate on this one.
3. Never own a home. As I may read this in a future life, and get depressed, I would recommend subtracting yourself from reproducing this aspect of private property, i.e. the spatial reproduction of the social relations that encapsulate capitalism. Why? Whats the difference between renting? Your flexibility is punished, as your identity is reified as home owner. When put in this situation, it is logical to preserve the value of your home. This may mean making unethical choices, such as exploiting Mexican laborers, super intendenants, and other service workers, to maintain your property. Don't forget about the exclusionary functions that are implicit in this institution. How can I blame you if you don't want certain people if your neighborhood. You have no choice! You must protect your investment. If you don't care about it you would have not bought in the first place. Ok so you don't care about these actions, or you don't think that the money you pay in property taxes, or the way you keep your community doesn't affect anyone else... guess what, you probably don't own home. Unless you have reached your mid fifties or later. Down payment on houses, interest rates, and the number of years of a mortgage do vary geographically, by market etc, but the trend since world war 2 has been for low down payments and long term debt financing. This is a good thing right? More people can own homes, well yes in theory, but the only thing guaranteed over the long term (30 years is a long time) is that more people can be fed to the jaws of financial capitalism. For example, in the last 30 years, we may take a look at the people of color who actually have gone on to own the homes they have taken mortgages out. While i do not have this empirical data at hand, and we are assuming certain things when we drop persons of color as a category or identity, i could tell you the sauces rates aren't that great. For example, who do you think was most affecting by the latest mortgage crash. It is important that we don't see this as just cats like Mui trying to get rich off someone elses plights, it is built into the housing industry, the credit system, and financial capitalism as a whole. Also, as you are in the quest to make these mortgage payments, which probably now adays involves your partner working the same amount of hours, you must produce surplus value! What does this mean? You probably won't leave your job because your unemployment check won't pay your mortgage. Also, if you don't live in the right neighborhood (read black), you wont be able to refinance your loan, or only at a very costly price. I'm talkn white slavery, and this ain't some funny necro shit, but you working fifty hours for the rest of your life, rarely getting any fulfillment.
4. to be continued...
Friday, September 21, 2007
Fuck Hip Hop
Hip-hip (or this kind of hip-hop) has officially been officially co-opted by capitalism. No, no, no many of you may argue that hip hop in the last ten years or more, has been nothing but ideology to oppress black folks, but now that imaginary threshold has been crossed. Yes, i am reifying it, but this latest fiasco really represents a process or transformation that hip hop has fully gone through. You may tell me that Eric B and Rakim had song back in the 'golden era' called paid in full, and isn't that Milk on the hook of the 50 cent track saying 'I get money, money I got'. Making dough and getting paid out the asshole has always been part of hip hop. No one here is against African Americans accumulating use values. I can even deal with this fetishization of money, as long its not the focus of an image or a persona.
Fucking Forbes dude. Forbes, the publication that comes out with its top 400 wealthiest person every year. Now you have to have over 3 billion dollars to make into this club, (Now if this isn't proof that the gap between rich and poor is widening in this country I don't know what is) Are we supposed to feel bad for those who didn't make it this year, who dropped out. These billionaires are portrayed as guys, and by guys I mean white males, who are just like us, but used some kind of hard work or savy to get where they are. Only if these million dollar men would act like the million dollar man and be dicks. Everyone would hate em. I heard ted debiase is coming back, but now as the billion dollar man. God, even virgil has millions now a days.
Anyway class is erased, and if its maintained, its celebrated as an achievement of a quantitatively roll for broke system. While Emelda Marcos could only collect a couple of thousand pairs of shoes, the universal equivalent can be accumulated forever.
Anyway, fuckn 50 cent. In a lot of ways a guy who is on the vanguard of a new breed of rappers. Hell it was only 2003 since he broke into main stream radio. His newest incarnation of capitalist ideology the 'I get money remix' is featured on the Forbes website. Doesn't anyone else see the fucking hypocrisy in this move. Someone who in many cases, not all of course, represents the streets, or what I would gingerly called economically oppressed black people is side by side with the people who have made their empire off the surplus labor/sweat off the people represents (or people like them). Of course fifty didn't ask for this, but he did give a free shout out to Forbes in the title of his song.
I am apprehensive to group 50 or actually say his identity. I won't take that away from Curtis. Who knows he might have the identity of a white man. He does live in a fortress out in Connecticut somewhere, he is paranoid about traveling in the streets (yeah he did get shot, but stop being such a god damn pussy), he has fetishized money to the point where it makes me want to throw up, and he really cares about record sales. Sounds like pathologically white behavior to me.
I would have more respect for 50 if he advertised for whitening cream, god damn it. At least we would know where he stands, that he was transmitting ideology that was in someway racist and harmful, but this mother fucker comes out with a song glorifying Forbes. I don't think I've ever seen capitalist idea logy work so well. What an inner contradiction, so fuckn juicy. How will it resolve itself? On one hand capitalist enslavement, and an urban reserve army which is maintained largely by the state, and on the other a culture of alienated value (i.e. fetishization of money) (See the prison diaries of Antonio Gramsci for further reading on the formation of common sense in capitalist society and the interplay between culture and bourgeoisie ideals). We don't know where this value or money comes from. Record sales, way to abstract. How does value get generated in this process. Who knows? Where is the cash in these videos coming from? Whose labor made it? And now white critics can unite against hip hop culture telling us that it has no values, and how it keeps black people poor, while they are most likely oppressed in a similar way on a more basic level.
I'm stopping here
'I like being around money' THANK YOU P DIDDY. ALSO, jay z is in this song, go figure going back to his volume 2 days.... sigh!
Fucking Forbes dude. Forbes, the publication that comes out with its top 400 wealthiest person every year. Now you have to have over 3 billion dollars to make into this club, (Now if this isn't proof that the gap between rich and poor is widening in this country I don't know what is) Are we supposed to feel bad for those who didn't make it this year, who dropped out. These billionaires are portrayed as guys, and by guys I mean white males, who are just like us, but used some kind of hard work or savy to get where they are. Only if these million dollar men would act like the million dollar man and be dicks. Everyone would hate em. I heard ted debiase is coming back, but now as the billion dollar man. God, even virgil has millions now a days.
Anyway class is erased, and if its maintained, its celebrated as an achievement of a quantitatively roll for broke system. While Emelda Marcos could only collect a couple of thousand pairs of shoes, the universal equivalent can be accumulated forever.
Anyway, fuckn 50 cent. In a lot of ways a guy who is on the vanguard of a new breed of rappers. Hell it was only 2003 since he broke into main stream radio. His newest incarnation of capitalist ideology the 'I get money remix' is featured on the Forbes website. Doesn't anyone else see the fucking hypocrisy in this move. Someone who in many cases, not all of course, represents the streets, or what I would gingerly called economically oppressed black people is side by side with the people who have made their empire off the surplus labor/sweat off the people represents (or people like them). Of course fifty didn't ask for this, but he did give a free shout out to Forbes in the title of his song.
I am apprehensive to group 50 or actually say his identity. I won't take that away from Curtis. Who knows he might have the identity of a white man. He does live in a fortress out in Connecticut somewhere, he is paranoid about traveling in the streets (yeah he did get shot, but stop being such a god damn pussy), he has fetishized money to the point where it makes me want to throw up, and he really cares about record sales. Sounds like pathologically white behavior to me.
I would have more respect for 50 if he advertised for whitening cream, god damn it. At least we would know where he stands, that he was transmitting ideology that was in someway racist and harmful, but this mother fucker comes out with a song glorifying Forbes. I don't think I've ever seen capitalist idea logy work so well. What an inner contradiction, so fuckn juicy. How will it resolve itself? On one hand capitalist enslavement, and an urban reserve army which is maintained largely by the state, and on the other a culture of alienated value (i.e. fetishization of money) (See the prison diaries of Antonio Gramsci for further reading on the formation of common sense in capitalist society and the interplay between culture and bourgeoisie ideals). We don't know where this value or money comes from. Record sales, way to abstract. How does value get generated in this process. Who knows? Where is the cash in these videos coming from? Whose labor made it? And now white critics can unite against hip hop culture telling us that it has no values, and how it keeps black people poor, while they are most likely oppressed in a similar way on a more basic level.
I'm stopping here
'I like being around money' THANK YOU P DIDDY. ALSO, jay z is in this song, go figure going back to his volume 2 days.... sigh!
Wednesday, August 08, 2007
Is this shit dead
They said it was done but I started a new, I'm too live for your crew, learned how to life it from nancy drew. The hop hop vocabulalry doesn't help but neither does your breath, feel the pain in my breast, as I caress. every one of my breaths. I'm alive and no force can contain, the dude with a such a big brain, that conservatives say its a shame, that i dont rep for them on the front lines, my telepathy is like proximity mines, you get near me and I'll make your insecurity shine, like bonds son when daddy did his deed, Im not here to give you what you need, but Ill still save the day like Willis Reed, come through in the clutch like robbert fuckn horry, when I hear your sob story, I forget it quick like the brother of joe torre, takn you into the next age Im a digital feed, they nick named me the iron steed, cause not even broken bones can slow down my ultra hyper speed, pretty please... can you slow down and stop being the worlds greatest living entity, ill have you blind foldn like 'i dont know where they sendn me', youll get it good plenty, when I burst cats at the scene like bruce Lenny, the fourth side to the double album got you playn sitar, Im a rock star and I smash guitars!
Tuesday, May 01, 2007
Thursday, April 26, 2007
Procastinating
Got some work to do. Got a lot of work to do. Dug myself a hole, and I am trying to get out. TIme ticks, it erases. Why couldn't things be easy, like when my dad broke both his wrists in the snow storm of 98. I stayed home all day and played donkey kong country 2. 7 hours of laboring on a paper. I think not. 7 hours of Donkey Kong 2, fuck yeah. THey asked me if I had been doing that the whole time. I said no. I said that I had stopped for a period. I did go to the bathroom atleast once. Running down the hall. Could I run down the hall now? Wow, I remember playing till I just couldn't take it anymore, like I was going to shit my pants. It was torture. But golly, it felt better the more I waited. I would here "don't worry its not going anywhere" but why. After a dehydrated day of social inadequacy, what could be better than drowning your sorrows in a fistful of keebler cookies and hours upon hours of video games. I was a good student I guess, but I don't remember studying, just doing homework occasionally on the kitchen table after dinner. Nintendo would call my name. Games like River City Ransom, prevented me from concentrating in class on some days. I faked sick so I could go home and play Mario Kart for Supernintendo. Ah that perfect comfort space. On my couch with shoes off, sipping soda, and eating popcorn. Tv and video games were everything to me. Its easy to see why I would sometimes prefer to sit home on that saturday night, or find a guilty pleasure in playing old video games, eating cookies, or watching that hour of family matters on a sunday afternoon. To say that those games didn't significantly alter my subjectivity would be ridiculous. As a matter of fact, I can see that in a rather overdetermined world, where cause and effect is always a bewildering process, megaman and Donkey Kong influenced me more than my teachers. I fed into the exoticism of Thailand when M Bison smashed me through a native woman's statue. I learned gender roles from the princess, and sexuality from Chun Li. Let me not reify, they probably just helped either justify or reject my father's opinions on the subject, but beating up homosexuals, women, Latino gang members, and the homeless in Final Fight had to have reinforced some exogenous hegemonic influences. And yes, on the bay stage, there are dudes in yellow jackets sleeping on the bench, which you often beat up unprovked. And ofcourse there was that message, stay off drugs. And not only did you stay off drugs but you beat up potential drug users. Regardless of the exact elements and processes we can safely say that beat em up side scrollers, especially final fight, were of a revanchist nature. Cody Hagger, and Guy, took the city back for the decent, heterosexual, white, male haggar. So the leader of the gang was a guy in a wheel chair, not a Jamacian drug dealer (see Seagal). It really didn't matter. Yes, yes, at the end you climbed a penthouse and avoided falling chandiliers (an icon of the rich), but realistically what most people would probably remember is the first stage or two where you kick the living shit out of people hanging out on street corners in a city plagued with urban blight. Everything is boared up. These people aren't human (well neither is your character), but the punching off the screen phenomenon that these games were often crticized for is pretty signficant. Why even see your opponent, when you can kill them off the screen. Another interesting thread is the lack of blood, pain, or permancy your enemeies experience when you smash them with a weapon such as a pipe. Your enemies, your other, simply gets knocked down and pops back up. The fading phenomenon of the mad gear gang is especially intersting. You have injured, and killed someone, but no you don't have to deal with the body, or contemplate what you have just done, they dissapear in seconds. No dead body disposal. This gang member is an insect, literally indistinguishable from the rest of his kind, ready to respawned at the next possible moment. When the city is saved, you are faced with the same task again. The city is never safe. A constructed demon is always out there to kidnap your girlfriend, wife, or daughter. Life in fear and stick to consumerism. Keep on pumping those quarters into the machine.
I hope to do this more completely at a later date
I hope to do this more completely at a later date
Labels:
Final Fight,
Games games games,
Revanchism
A Whale and a Seagull
A whale and seagull
are spending time together
in the sea, the one
with whales and seagulls,
when the whale groans,
"I've a thorn in my fin."
"How'd you manage that?"
asks the seagull.
"Building a swingset
for the little ones,
the little whales. Can you
pluck it out?"
In the sky, the sun
is tired out. The sea
is too big to heat.
"No, I can't pluck it out.
I stand on your back
all day, scratch you
wherever there's an itch.
Isn't that enough?"
"It hurts," cries the whale,
freshwater rolling down
his blunt whale head,
disappearing like a leaf
on an autumn forest floor.
"Besides," gulls the gull,
"it's too dangerous. I'll be dragged
under when you turn over,
or slapped comatose
if you flinch."
"I will be so still"--
the whale.
"No thanks."
"Fine, could you scratch
around my blowhole, please?"
"What are friends for?"
There is no wind. All the seaweed
swimming on the surface gossip
about the good-for-nothing kelp.
A bottle floats by, a bee
inside tapping on the glass. And
when the seagull scratches his buddy's hole
he is blown straight up
into and through a cloud, right
to the face of the tired sun,
who feeds and dresses his wounds
and joins in when the seagull
points and laughs at the grumpy,
thorny whale.
are spending time together
in the sea, the one
with whales and seagulls,
when the whale groans,
"I've a thorn in my fin."
"How'd you manage that?"
asks the seagull.
"Building a swingset
for the little ones,
the little whales. Can you
pluck it out?"
In the sky, the sun
is tired out. The sea
is too big to heat.
"No, I can't pluck it out.
I stand on your back
all day, scratch you
wherever there's an itch.
Isn't that enough?"
"It hurts," cries the whale,
freshwater rolling down
his blunt whale head,
disappearing like a leaf
on an autumn forest floor.
"Besides," gulls the gull,
"it's too dangerous. I'll be dragged
under when you turn over,
or slapped comatose
if you flinch."
"I will be so still"--
the whale.
"No thanks."
"Fine, could you scratch
around my blowhole, please?"
"What are friends for?"
There is no wind. All the seaweed
swimming on the surface gossip
about the good-for-nothing kelp.
A bottle floats by, a bee
inside tapping on the glass. And
when the seagull scratches his buddy's hole
he is blown straight up
into and through a cloud, right
to the face of the tired sun,
who feeds and dresses his wounds
and joins in when the seagull
points and laughs at the grumpy,
thorny whale.
Thursday, April 12, 2007
Whatever's happening beneath our feet
Grass grew up to our waists,
tickled my thighs and the hair
on my calves, while you stood,
bent in half, touching your toes
and letting the green blades
lick and taste your soft face
like they were tongues of the soil,
or the Holy Ghost planted itself
and hit an underground vein.
In this dream, you only bend
and I watch. You let the grass
slip inside your mouth
and now you can taste it,
whatever's happening beneath
our feet, deep down,
and I wonder why
six eight and four
are suddenly consecutive, and how
a blade of grass won't cut your gums.
tickled my thighs and the hair
on my calves, while you stood,
bent in half, touching your toes
and letting the green blades
lick and taste your soft face
like they were tongues of the soil,
or the Holy Ghost planted itself
and hit an underground vein.
In this dream, you only bend
and I watch. You let the grass
slip inside your mouth
and now you can taste it,
whatever's happening beneath
our feet, deep down,
and I wonder why
six eight and four
are suddenly consecutive, and how
a blade of grass won't cut your gums.
Wednesday, March 28, 2007
The thing about independent wrestling shows
The ring was square
in the middle of the hall,
red white & blue ropes
letting us know where we were
lest we forget. The boys
and their fathers cheered
the Patriot, masked
in the colors of the ropes,
handing out miniature flags
to the lucky ones
in the front rows. They giggled
at the fat brown man's
hairy back, and when our hero
slapped the villain's flabby ass
the crowd flared
like an office fire.
"Terrorist!"
the children screamed
at the fat man, stage-named
after a spider-hole dictator.
They were seconds from spitting
at his foreign flag.
"You stupid Americans,"
he declared
in a fake accent.
The thing about
independent wrestling shows
is that there's always
a retarded boy
a foot taller and twice as old
as the ones around him,
waving a flag in the air,
believing it's all real.
in the middle of the hall,
red white & blue ropes
letting us know where we were
lest we forget. The boys
and their fathers cheered
the Patriot, masked
in the colors of the ropes,
handing out miniature flags
to the lucky ones
in the front rows. They giggled
at the fat brown man's
hairy back, and when our hero
slapped the villain's flabby ass
the crowd flared
like an office fire.
"Terrorist!"
the children screamed
at the fat man, stage-named
after a spider-hole dictator.
They were seconds from spitting
at his foreign flag.
"You stupid Americans,"
he declared
in a fake accent.
The thing about
independent wrestling shows
is that there's always
a retarded boy
a foot taller and twice as old
as the ones around him,
waving a flag in the air,
believing it's all real.
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